“deep reserves of virtuosity and irrepressible dramatic instinct.”

new york times

“The players have clearly thought long and hard about these masterpieces of the string quartet repertoire, and they have produced performances that can stand comparison with the best.”

BBC Music Magazine

“Approaching [...] the kind of sublimity other quartets spend a lifetime searching.”

– los angeles times

“This is an ensemble as capable of whipping up storms as enchanting us with breathless moments of utter magic.”

the scotsman

After over a decade of performances and residencies in the world’s most esteemed venues and festivals, the release of numerous critically acclaimed recordings and lauded with significant awards, the Calidore String Quartet is recognized as one of the world’s foremost interpreters of a vast repertory; from the cycles of quartets by Beethoven and Mendelssohn to works of celebrated contemporary voices like Grygory Kurtag, Jörg Widmann and Caroline Shaw.

Concerts

Upcoming
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January 17, 2025
5pm

University of Delaware Beethoven Series

Gore Recital Hall
Newark, DE

Opening Concert for String Quartet Seminar

BEETHOVEN: String Quartets 7-9 Op. 59 1-3

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January 24, 2025
7:30pm

Stone Circle Theatre

Diamonstein-Spielvogel Initiative for Music and Community Engagement
Queens, NY

BEETHOVEN String Quartet in F major, Op. 59, No. 1 "Razumovsky"
BEETHOVEN String Quartet in E minor, Op. 59, No. 2 "Razumovsky"
BEETHOVEN String Quartet in C major, Op. 59, No. 3 "Razumovsky"

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January 28, 2025
7:30pm

The Chamber Music Society of Lincoln Center

Alice Tully Hall
New York, NY

BEETHOVEN  String Quartet No. 7 in F Major, Op. 59, No. 1,  "Razumovsky"
BEETHOVEN  String Quartet No. 8 in E minor, Op. 59, No. 2,  "Razumovsky"
BEETHOVEN  String Quartet No. 9 in C Major, Op. 59, No. 3, "Razumovsky"

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Feature
November 1, 2024

Strings Magazine

Balancing the Light and the Dark

As a group, we worked very hard to find a stylistic and sound aesthetic that was different but related when moving from the early quartets to the late quartets, because we also wanted our sound concept to evolve toward the later works that point toward Romanticism. And we also wanted to honor the traditions of the Classical style, which we studied quite a lot, and to emphasize the idea that all of these influences were in one person and to show where Beethoven went with them.
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